We are honored to announce that we have been awarded the Dresden City Arts Award and the Arras Foundation Scholarship! Each year, the City of Dresden presents up to two awards to outstanding young artists, ensembles, and cultural professionals. We are grateful to be among them. Jury statement (German): “In kürzester Zeit hat sich die Tanzcompany Miller de Nobili […]
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Last week was a wild ride—five days of transforming There Was Still Time into Hell for Leather, a 12-minute short. Originally created for hip-hop dancer Nam Tran Xuan and breaker Alessandro Ottaviani, we reworked it for Fabienne and Liam, whose classical/contemporary backgrounds brought a whole new energy to the piece. The shift went beyond movement—it was about reimagining […]
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As the new year begins, so does an exciting chapter for us. We’ve started our first research residency at Residenzzentrum Tanz+, laying the groundwork for our upcoming creation, Hype the Pain. This time, we’re diving deep into the fascinating world of memes. From their humor and absurdity to the way they reflect cultural emotions and […]
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Few impressions from the Premiere of There was still time II at Teatros del Canal in Madrid.
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Featured in The Guardian’s Edinburgh Festival dance roundup, Pack is noted for its captivating performance.
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We are pleased to announce that PACK will be performed at the Edinburgh Fringe Festival from the 13th to the 25th of August. This is a unique opportunity to experience our production as part of one of the world’s most renowned arts festivals.
Read moreWe’re pleased to share that The Guardian has reviewed our recent performance, There Was Still Time, which was premiered at La Biennale di Venezia at the end of July. For those interested, the full review is available here.
„There Was Still Time“ is a full-length duo and contemporary dance theatre production inspired by Samuel Beckett’s „Waiting for Godot“. The piece explores the concept of existentialism and its relevance in today’s society. Through a combination of breaking, urban and contemporary dance, and acting techniques, dancers Nam Tran Xuan and Alessandro Ottaviani embody the central theme of waiting in a modern context. They reflect on the complexity of contemporary life, the illusion of change and the perpetual hope. The duo will create a full-length work that addresses the deep existential questions of humanity and transcends cultural and social boundaries.
On Thursday we opened the Tanzfusionen Festival with our creation PACK. Enjoy the pictures by Peter van Heesen.
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First impressions from our residency at the Centro Coreografico Canal in Madrid.
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