We’re pleased to share that The Guardian has reviewed our recent performance, There Was Still Time, which was premiered at La Biennale di Venezia at the end of July. For those interested, the full review is available here.
„There Was Still Time“ is a full-length duo and contemporary dance theatre production inspired by Samuel Beckett’s „Waiting for Godot“. The piece explores the concept of existentialism and its relevance in today’s society. Through a combination of breaking, urban and contemporary dance, and acting techniques, dancers Nam Tran Xuan and Alessandro Ottaviani embody the central theme of waiting in a modern context. They reflect on the complexity of contemporary life, the illusion of change and the perpetual hope. The duo will create a full-length work that addresses the deep existential questions of humanity and transcends cultural and social boundaries.
“Verstörend, bedrückend und genau deshalb direkt im Kopf des Publikums: Das pyhsical theatre des Dresdner Choreografen-Duos konfrontiert mit den Alpträumen des Alltags.” – Rico Stehfest